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To work as a medium, channeling characters and stories, is to immerse yourself in a "show" that appears as if it is being performed by some thing other than yourself. To assent to this metaphor of showing is to acknowledge that there's no better way of entering a story other than surrendering to it and allowing it to enter you, a condition and quality of creative openness. When this happens, the usual demarcations that separate the dreamer from the dream are erased. In jettisoning the ego-centric "self that creates" - the grand puppeteer - we surrender our need to manipulate and judge and allow ourselves to be "told" the story by the characters that are becoming present in us.
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Jumping from Kantian ethics to Guardians of the Galaxy, screenwriter, James Schamus (Crouching Tiger Hidden Dragon, The Ice Storm, Breakback Mountain), challenges the audience with a wide range of philosophical arguments, and asks the provocative question: whether screenwriting can be considered an art form. His observations will surprise.
~ Bruce Joel Rubin
The most relevant and enduring questions in the evolution and evaluation of screen-stories-that-matter are WHERE'S THE DRAMA? and WHY DO I CARE? Yet the creation of fresh, surprising and compelling screen narratives - with some notable exceptions - is uncommon. Why is this? And what can be done about it?
Industry and non-industry film and program makers, film audiences, students, reviewers and critics are invited to join Billy Marshall Stoneking and Stoneking Seminars in this unique, online investigation into the nature and character of dramatic, screen storytelling.
Discover and explore the world of the character-driven story, as channeled by the storyteller working as a medium. Share your opinions and ideas, your insights and 'imaginary solutions'. Spread the word!
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